Walk on Water
Walk on Water is
a 2004 film, directed by Eytan Fox, that is centered around a
successful Israeli Intelligence assassin, Eyal, who is struggling
with issues and personal views of life, death, hate, prejudice, and
self, as brought on by the recent suicide of his wife. With concerns
regarding his mental and emotional state following his wife's
suicide, Eyal's father, who serves also as his boss, assigns Eyal to
a more subtle and non-lethal mission of befriending Axel, the
grandson of a long-time fugitive Nazi war-criminal, in an attempt to
obtain information on the his grandfather's present whereabouts. It
is through the mission and the unanticipated relationship formed with
Axel, in which Eyal embarks on a journey of personal evaluation and
transformation, as he is faced with, and challenged by, the morals
and dilemmas of forgiveness and acceptance that have previously
defined his life, disposition, purpose, and beliefs. As from being a
product of an Israeli militant culture, Eyal has a cold disposition
as he sees the present-day world from an old-fashioned view; Eyral
still looks at all Germans and Muslims as the enemy, and homosexuals
are people he cannot be associated with as they are different and
foreign. It is through the experience and exposure of Axel's views
and disposition, in which Eyral has a revelation in regards to his
life and self. Through his visit to Germany, Eyal transforms from
hate-filled human being who believes to know his place in the world,
to a man of question and wonder as he opens up to Axel in regards to
his past and questioning of things he does not understand, such as
homosexuality. Eyal's pinnacle moment of change occurs when he
chooses not to kill Axel's ex-Nazi grandfather and comes to the
realization that he is tired; tired of hating, tired of killing, and
tired of being cold. The film ends with Eyal writing Axel a letter
inviting him to visit his nephew, as Eyal has settled down with
Axel's sister, Pia, to have a child and try a different new kind of
life, more fulfilled life not defined through hate, but one defined
through experience, appreciation, happiness, and love. It is not
until Eyal removes all the negativity and hate in his life, in which
he can dream and envision himself, with Axel, walking on water.
The
primary themes which are evident in Walk on Water
are those of hate and acceptance. Eyal is the definition of hate, as
he is an Israeli assassin who has open disdain and resentment towards
Arabs, Homosexuals, and Germans. It is not until Eyal's one on one
exposure with Axel and his philosophy of life, in which Eyal begins
to realize his hate has ruined his life, and anyone he comes in
contact with. It is finally in the end of the film in which Eyal can
accept himself; himself, in regards to revealing of being born in
Germany as well as himself being the reason his wife committed
suicide, his hate depressed her and ruined her to the point she could
no longer live with it. Eyal in the end seems to finally find
happiness as he has learned to experience life, rather judge it, as
is expressed through his relationship with a German woman as well as
his dreaming of walking on water.
Although at times
the story line seemed to drag, I thoroughly enjoyed this film. I
especially liked symbolism of the repeated varied versions of Buffalo
Springfield's “For What It's Worth”, as it is a song about
tensions and restrictions placed upon by society. Overall, I
recommend this film to anyone who enjoys coming of age films, and
films which subtly bring into question societal issues and problems
through simple themes and creative plots.

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