Tsotsi
Tsotsi,
a 2005 film that is written and directed by Gavin Hood, takes its
viewers on a journey into the life of a young gang leader, Tsotsi, as
a series of events causes the troubled protagonist to reflect upon
his past, as well as re-evaluate his present views of life and of
himself. At the beginning of the film, Tsotsi is depicted as a
volatile and troubled teenager living in the slums of present day
South Africa, as he leads his gang of fellow troubled teens into
nightly violent acts of robbery and muggings. Following a violent
assault, in which Tsotsi inflicts upon a member of his gang as a
result of an argument over a mugging turned murder, Tsotsi goes rogue
and shoots a woman while stealing her car in the wealthy community of
South Africa, leading to the discovery of the victim's baby in the
backseat. The decision to take the baby with him, instead of leaving
the infant alone in the crashed car, reveals an existence of
compassion buried within Tsotsi. The struggles, which accompanies the
caring of a human infant, cause Tsotsi to reminisce about his
childhood; which in turn stir up painful childhood memories of his
mother's death; as well as his running away from home to live with
orphans in the harsh wilderness, instead of with his abusive father.
As a way to symbolize his acceptance of putting his past to rest,
Tsotsi, chooses to call the infant by his own real name, David;
further showing the progress of Tsotsi's transformation into a full
human-being as he discovers his buried emotions. As to fully complete
Tsotsi's transformation, he returns the stolen baby to the mother he
stole it from; hence, completing the cycle of transformation as
Tsotsi ends his journey at the point of where it began, and yet as a
completely different individual.
I
thoroughly enjoyed the film Tsotsi.
In
addition to the plot and characters, I liked how scenes and
interactions of emphasis were depicted and shot with limited, and in
some cases, no dialogue at all; the importance of symbols and scenes
was emphasized, or demonstrated, through actions,expressions, as well
as reactions. The director, Gavin Hood. did an exceptional job of
taking his viewers on a first-person journey of redemption and
transformation as depicted through his protagonist, Tsotsi.
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